Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Thursday, April 27, 2017

The Social Systems of "Everything I Never Told You"

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A system can refer to a wide range of things: systems of government, systems of equations, operating systems, or even sewage systems. However, Everything I Never Told You by Celeste Ng on one type of system in particular: social systems. The novel itself discusses the effects of the sudden loss of a family member. It focuses on how each family member, the Lee family itself, and the surrounding community, as systems, are affected by the death of Lydia Lee. By showcasing the behavior of characters within each system, Ng makes it evident that the less associated with Lydia, the less affected a social system is.

Each member of the family has their own system (personality) through which they approach problems:

  • James, the father of the family, is more flexible. He knows when and when not to speak, and hides things he knows will scare his wife. For example, James hides Lydia’s autopsy report from Marilyn because he “can’t imagine telling Marilyn that these things could happen to a body they loved.” (Ng 70) He goes to work to avoid conflict in the family. However, James accidentally has an affair with Louisa, his teaching assistant. He later regrets this and tries to tell Louisa that “I love my wife. This must never happen again.” (Ng 118)
  • Nathan, like his father, is submissive. He and Hannah are sometimes ignored by his parents in favor of Lydia. The two children are observant but shy. After Lydia’s death, Nathan does not tell his mother, Marilyn, about Lydia’s recent behavior. When Marilyn asks for clues, he “thinks of Jack and says no.” (Ng 16)
  • Marilyn is affected the most by Lydia’s death. Before it, her goal was to get a degree and prove her mother wrong. She was a housewife but aspired to be a doctor. She was efficient. For example, when visiting her deceased mother’s home, she concludes where people went when they died: “on, away, out of your life.” (Ng 84) After Lydia’s death, she is broken. Her new goal is to find out what happened to Lydia. She remembers recent headlines about shootings and murders and assumes the worst for Lydia. She begins to act recklessly, and accuses James of “kowtow[ing] to the police.” (Ng 116)

While each individual family member’s system is differently affected by Lydia’s death, the impact on the whole family’s system is even greater.


One important definition of “system” is that it is “a set of connected things or parts forming a complex whole, in particular. All the traits mentioned above work as parts of a larger system, the Lee family. When one part is removed or changed, the entire system changes. When Lydia dies, it changes the attitude and function of each family member and the entire system. Before, the goal of the family was to raise successful children. Each member of the family had a job: Marilyn cooked for the family and encouraged the children, James earned money for the family, and the children went to school to receive an education. However, after Lydia’s death, the job of each family member becomes hazy. They split up and work towards their own goals:

The children split up with their parents and help to control each other. Hannah stops Nathan from attacking Jack because he “lured her, persuaded her, tempted her, disappointed her.” (Ng 121) The two understand each other because of their shared experiences of being the ‘youngest one’ of the family.

Meanwhile, Marilyn and James grow distant. Before, there was little tension between the two, except that James was afraid that Marilyn getting a job would damage his reputation. Now, Marilyn spends each day alone in the house, trying to figure out how Lydia died. Meanwhile, James keeps Lydia’s autopsy report a secret and has an affair with Louisa. He is less affected by Lydia’s death than Marilyn. This tension causes the two to fight over how James treats the investigation. However, Marilyn’s words suggest that the fight is about more than just the investigation. Marilyn accuses James of “kowtowing to the police” (Ng 116) and implying that she is “just a hysterical housewife.” (Ng 116)  This reveals Marilyn’s true frustrations: her ambitions of being a doctor and possible dissatisfaction with James. All of these factors introduced to the family negatively affect the family’s system.


The Lee family is only a smaller system in the surrounding community. The community is a network of families who work towards the collective goal of improving the town. Since the most popular offering of the town is its news, Lydia’s death is seen as a spectacle and almost sensationalized in the media. As Nathan observes, the townspeople who arrive at the funeral “are drawn by the spectacle of the sudden death.” (Ng 59) The newspaper publishes puff-pieces about the investigation every week to capitalize off of the news: “Police still searching for Clues in Girl’s Death. Suicide Likely Possibility, Investigators Say.” (Ng 109) While this is the only real effect Lydia’s death has on the system of the town, some members outside of the family are also affected. Jack’s apologetic attitude after Lydia’s death is seen by Nathan as a sign of guilt. While most of the town was not affected by Lydia’s death, the death was used as marketing for the town.

Out of all these systems, Lydia’s death affects the Lee family the most. While each member of the family reacts emotionally to Lydia’s death, it is the combined reaction of the whole family that is the most significant. This is likely why the book focuses on the family and each member of the family. However, we also get an idea of the community around the family, and their behavior towards the family. The community, as a system, uses this news in the media as a source of marketing for the town. This description of the surrounding community is relevant to current issues: with accusations of fake news and sensationalism in media. By exploring all of these systems together, Ng creates a fleshed-out analysis of the effects of a sudden death on different social systems.



Interested? Purchase Celeste Ng's Everything I Never Told You today on Amazon!

Everything I Never Told You

Disclaimer: If you have read the book Everything I Never Told You by Celeste Ng, keep on reading. If you have not, keep on reading anyway.

In May, 1977, several police officers drag an oriental girl out of a lake in Middletown Ohio, followed by the gradual collapse of a family. A story of struggling with identity, Everything I Never Told You by Celeste Ng leads the reader through an emotional turmoil along with the Lee family when suddenly confronted by the unexplained death of Lydia Lee, their second child.
Ng alternates between different stages of the family, presenting the heartfelt helplessness of each character as well as revealing the outright racism at that time. As Lydia’s death sounds the alarm, Marilyn and James will soon discover the underlying fractures within the family. Their intricate relationships with each other (and with Lydia) construct a system––an extremely fragile one.
A system in general includes several interdependent mechanisms made up by different elements. With this specific story, the characters serve as the elements that create relationships, the mechanisms inside a system. In a system, the malfunction of one element causes the mechanisms and, eventually, the whole system to collapse, just as how Lydia’s lies and later, death, break all other elements apart and weakens the character’s relationship with each other.
Despite her title as “the favourite,” Lydia constantly pushes her siblings and parents away, loosening all ties with her family. She presents to her family a carefully crafted image of herself, one that confirms her parents’ perfect perception of her. To conceal her loneliness, Lydia spends hours sitting on the window seat with the phone in her lap, pretending to share gossip with her “friends,” only to be greeted with the echo of her own voice or the “low drone of the dial tone.” She talks, or lies, about those “friends” with a “stillness” on her face so undoubtable that not even her parents suspect. The countless times when Lydia asks to hang out with her friends, James permits with a ten-dollar bill and without further inquiry.
When Marilyn searches through Lydia’s backpack, she immediately rejects the idea of “her Lydia” doing anything like that: “My Lydia would never...” As Marilyn digs closer to the truth, Lydia’s “[wavered]” image will be completely shattered.
Indeed, “so fussed over, so carefully tended,” Lydia is the “prize flower” to Marilyn and James; however, she clearly views her relationship with her parents as unworthy of the truth, as she chooses Jack, a complete player stranger who “ran wild,” over her parents.
Soon, as Lydia disappears from their lives, James and Marilyn will find their relationship rapidly deteriorating. For the couple, their children serve as both an adhesive––to keep the family together––and a major source of conflict, not to mention the inherent differences in their ideals: one who stands out wants to blend in while the other who blends in perfectly craves to stand out.
Marilyn’s children represent everything she has accomplished. They carry the weight of everything that she has given up for James: her degree, her youth, her goals, and her future as a respected professional “striding across the hospital waiting room.” For the sake of her family, she has ended up like her mother, someone she despises. Her self-perceived value crumbles as Lydia is found dead, erasing every single sacrifice she made for her daughter along the way for sixteen years.
As frustration develops into “fury,” she vents her dissatisfaction toward James in the most painful way and attacks his identity, blaming him for “[kowtowing].” “The word rifles from his wife’s mouth and lodges deep in his chest.” James has always thought of Marilyn as someone special, someone who fully accepts his differences, but her harsh comment proves otherwise. This word “kowtow” forces him to face his deepest insecurity: his race. By doing so, Marilyn has created a irrevocable rift in her relationship with James.
Moreover, considering the gravity of her daughter’s death, Marilyn’s anger will continue to fall on James, along with the pressure of protecting the family. As a human being, James needs a haven for his mind to “[go] blissfully blank.” When he can no longer seek comfort from Marilyn, he spontaneously approaches someone else who can provide him “a dreamless sleep”; in this case, Louisa is the new element replacing Marilyn. As long as Marilyn’s wound is unhealed, her anger will aggravate the existing estrangement with her husband, impairing their relationship and consequently, the system of their family.
Although the analogy of a system and the Lee’s appears inappropriate and abrupt, their relation can be proven gradually, starting from an element’s malfunction. Hopefully, the new element does not permanently take the position of an indirectly affected element, as costs always exist in replacements; and the mechanism will soon adapt to operating without the faulted element by learning to rely on and cooperate with each other. (That basically means hopefully, everything will be fine).