“It was a stupid mistake to make,” said the American woman I
had met at my hotel in the English lake country, “but it was on the counter
with the other Penguin books—the little sixpenny ones, you know, with the paper
covers—and I supposed of course it was a detective story. All the others were
detective stories. I’d read all the others, so I bought this one without really
looking at it carefully. You can imagine how mad I was when I found it was
Shakespeare.”
I murmured something sympathetically.
“I don’t see why the Penguin-books people had to get out
Shakespeare plays in the same size and everything as the detective stories,”
went on my companion.
“I think they have different-colored jackets,” I said.
“Well, I didn’t notice that,” she said. “Anyway, I got real
comfy in bed that night and all ready to read a good mystery story and here I
had The Tragedy of Macbeth—a book for
high-school students. And I was just crazy for a good Agatha Christie or
something. Hercule Poirot is my favorite detective.”
Over her second cup of tea my companion began to tell the
plot of a detective story that had fooled her completely—it seems it was the
old family doctor all the time. But I cut in on her. “Tell me,” I said. “Did
you read Macbeth?”
“I had to read it,” she said. “There wasn’t a scrap of
anything else to read in the whole room.”
“Did you like it?” I asked.
“No, I did not,” she said, decisively. “In the first place,
I don’t think for a moment that Macbeth did it.”
I looked at her blankly. “Did what?” I asked.
“I don’t think for a moment that he killed the King,” she
said. “I don’t think the Macbeth woman was mixed up in it, either. You suspect
them the most, of course, but those are the ones that are never guilty—or
shouldn’t be, anyway.”
“I’m afraid,” I began, “that I—”
“But don’t you see?” said the American lady. “It would spoil
everything if you could figure out right away who did it. Shakespeare was too
smart for that. I’ve read that people never have figured out Hamlet, so it isn’t likely Shakespeare
would have made Macbeth as simple as
it seems.”
I thought this over while I filled my pipe. “Who do you
suspect?” I asked, suddenly.
“Macduff,” she said, promptly.
“Good heavens!” I whispered, softly.
“Oh Macduff did it, all right,” said the murder specialist.
“Hercule Poirot would have got him easily.”
“How did you figure it out?” I demanded.
“Well,” she said, “I didn’t right away. At first I suspected
Banquo. And then, of course, he was the second person killed. That was good
right in there, that part. The person you suspect of the first murder should
always be the second victim.”
“Is that so?” I murmured.
“Oh, yes,” said my informant. “They have to keep surprising
you. Well, after the second murder I didn’t know who the killer was for a
while.”
“How about Malcolm and Donalbain, the King’s sons?” I asked.
“As I remember it, they fled right after the first murder. That looks
suspicious.”
“Too suspicious,” said the American lady. “Much too
suspicious. When they flee, they’re never guilty. You can count on that.”
“I believe,” I said, “I’ll have a brandy,” and I summoned
the waiter.
My companion leaned toward me, her eyes bright, her teacup
quivering. “Do you know who discovered Duncan’s body?” she demanded. I said I
was sorry, but I had forgotten. “Macduff discovers it,” she said . . . . “Then
he comes running downstairs and shouts, ‘Confusion has broke open the Lord’s
anointed temple’ and ‘Sacrilegious murder has made his masterpiece’ and on and
on like that.” The good lady tapped me on the knee. “All that stuff was
rehearsed,” she said. “You wouldn’t say a lot of stuff like that, offhand,
would you—if you had found a body?” She fixed me with a glittering eye.
“I—” I began.
“You’re right!” she said. “You wouldn’t! Unless you had
practiced it in advance. ‘Oh, no, there’s a body in here!’ is what an innocent
man would say.” She sat back with a confident glare.
I thought for a while. “But what do you make of the Third
Murderer?” I asked. “You know, the Third Murderer has puzzled Macbeth scholars for three hundred
years.”
“That’s because they never thought of Macduff,” said the
American lady. “It was Macduff, I’m certain. You couldn’t have one of the
victims murdered by two ordinary thugs—the murderer always has to be somebody
important.”
“But what about the banquet scene?” I asked, after a moment.
“How do you account for Macbeth’s guilty actions there, when Banquo’s ghost
came in and sat in his chair?”
The lady leaned forward and tapped me on the knee again.
“There wasn’t any ghost,” she said. “A big, strong man like that doesn’t go
around seeing ghosts— especially in a brightly lighted banquet hall with dozens
of people around. Macbeth was shielding somebody!”
“Who was he shielding?” I asked.
“Mrs. Macbeth, of course,” she said. “He thought she did it
and he was going to take the rap himself. The husband always does that when the
wife is suspected.”
“But what,” I demanded, “about the sleepwalking scene,
then?”
“The same thing, only the other way around,” said my
companion. “That time she was shielding him. She wasn’t asleep at all . . . She
was acting guilty to shield Macbeth.”
“I think,” I said, “I’ll have another brandy,” and I called
the waiter. When he brought it, I drank it rapidly and rose to go. “I believe,”
I said, “that you have got hold of something. Would you lend me that Macbeth? I’d like to look it over
tonight. I don’t feel, somehow, as if I’d ever really read it.”
“I’ll get it for you,” she said. “But you’ll find that I am
right.”
I read the play over carefully that night, and the next
morning, after breakfast, I sought out the American woman. She was on the
putting green, and I came up behind her silently and took her arm. She gave an
exclamation. “Could I see you alone?” I asked, in a low voice. She nodded
cautiously and followed me to a secluded spot.
“You’ve found out something?” she breathed.
“I’ve found out,” I said, triumphantly, “the name of the
murderer!”
“You mean it wasn’t Macduff?” she said.
“Macduff is as innocent of those murders,” I said, “as
Macbeth and the Macbeth woman.” I opened the copy of the play, which I had with
me, and turned to Act II, Scene 2. “Here,” I said, “you will see where Lady
Macbeth says, ‘I laid their daggers ready. He could not miss ’em. Had he not
resembled my father as he slept, I had done it.’ Do you see?”
“No,” said the American woman, bluntly, “I don’t.”
“But it’s simple!” I exclaimed. “I wonder I didn’t see it
years ago. The reason Duncan resembled Lady Macbeth’s father as he slept is that
it actually was her father!”
“Good gracious!” breathed my companion, softly.
“Lady Macbeth’s father killed the King,” I said, “and,
hearing someone coming, thrust the body under the bed and crawled into the bed
himself.”
“But,” said the lady, “you can’t have a murderer who only
appears in the story once. You can’t have that.”
“I know that,” I said, and I turned to Act II, Scene 4. “It
says here, ‘Enter Ross with an old Man.’ Now, that old man is never identified
and it is my contention he was Macbeth’s father-in-law, whose ambition it was
to make his daughter Queen. There you have your motive.”
“But even then,” cried the American lady, “he’s still a
minor character!”
“Not,” I said, gleefully, “when you realize that he was also
one of the weird Sisters in disguise!”
“You mean one of the three witches?”
“Precisely,” I said. “Listen to this speech of the old
man’s. ‘On Tuesday last, a falcon towering in her pride of place, was by a
mousing owl hawk’d at and kill’d.’ Who does that sound like?”
“It sounds like the way the three witches talk,” said my
companion, reluctantly.
“Precisely!” I said again.
“Well,” said the American woman, “maybe you’re right, but—”
“I’m sure I am,” I said. “And do you know what I’m going to
do now?”
“No,” she said. “What?”
“Buy a copy of Hamlet,”
I said, “and solve that!” My companion’s eye brightened.
“Then,” she said, “you don’t think Hamlet did it?”
“I am,” I said, “absolutely positive he didn’t.”
“But who,” she demanded, “do you suspect?” I looked at her cryptically.
“Everybody,” I said, and disappeared into a small grove of
trees as silently as I had come.
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